Lauren Camp
Emptiness Prayer for Agnes Martin
Strewn heat lingers
on the landscape, doing
nothing
and fills in
the gaps with less
and years and finally. In weeds,
a flirtation of wind;
slight shaking,
promise. Light vaults
again which is
consolation, desert-full
of its rows and spill.
She in her large
silent body disappears
into practice while
ravens circle
bellicose
with longings. So impractical
how she writes
her furniture
with fingers, a pencil, pocking
a picture; she is living
in a dirt hut—
living on
the wall, a severance
of space. Sturdy,
rehearsed. The foreground
continues
lucid and the entire
place is
what she can find, not an edge
but a whole
kaleidoscope
of margins.
Thought Disorder
Let’s admit he wanders and we’re back to the year before. No one
wants to make the call. We
take him to concrete. Take him and take him and leave
the room. And then a day in Miami and he said
a week in July. He’s not there. He’s excited. Dusk raises
its light. We like him. We wake up
to doses of side effects. Another chant of heat-tinted dust. Whole days
roll open. We pay
to burst spots on his scalp. Pray for the subject
to stretch and recover, and we return
to the original vicinity where a life
story is watching the water. No trace of anyone’s memory. Dusk
comes along twice. We step out. It’s guile and greeting
all night. He moved to Florida
for a few minutes. Yesterday he was having sex
in Hong Kong with a woman in shorts. The world was
surface and normal. Another way out. We have had 68 discussions, and need
to admit Florida is the only
horizon. There is no one
to call. In overlapping directions, we follow him and he repeats
when our mother was erased when he
was returning the plastic bidet, when the message arrived
in his absence. Yesterday we stepped out. There’s a chart
on the wall, there’s a palm tree at dinner and everyone
to ask. We like him, we pray, and we hover. We squirrel
his clothes that are falling
apart. We carry the experts and tell how our father is a house
and this is unbearable, the cost of the brain and months
with butter. Aren’t we foolish with sheets, our chapped lips, days crossing
to worse? Every day
he wears every hat, and then a day the air
drags over the summer. We like him. He wakes up. This year
began with each departure. Imagine a season and we’ll go on. By all means.
Asylum
You may already know how to calm. It’s been two weeks
without negative
talk. Two weeks with no
terrible photographs, no spontaneous edge
of ocean or canyon or miles
of time. You went to the gate
when no one else would, when everyone
caught our collective
dilution. You woke up that morning after not
sleeping through any blue
flowers. You went in a dress
to be rescued from the roaring
story in your head and were given
a bed. Home is
as small as a few beating hearts
and both ends of the way I
live too, with the world
on its verge. You asked me once
how is everything in your perfect life
and true I walk through
the center whether or not it is brimming
with purity, but down
the hill, everyone is sewing up
limit so speech
is confusion. We are fewer. You are there now
to reason the way
you can breathe. Stay a while.
There, now. Everything has happened
and nothing may change.
This was first published in LEON Literary Review.
Lauren Camp
Lauren Camp is the author of five collections of poetry, most recently Took House (Tupelo Press, 2020). Her poems have appeared in The Los Angeles Review, Pleiades, Poet Lore, Slice, DIAGRAM and other journals. Winner of the Dorset Prize, Lauren has also received fellowships from The Black Earth Institute and The Taft-Nicholson Center, and finalist citations for the Arab American Book Award, the Housatonic Book Award and the New Mexico-Arizona Book Award. www.laurencamp.com