By Meg Muthupandiyan
Day Twenty-Two
What does it mean to walk in faith
when our bodies become hosts
reconsecrated,
when everything we touch
bears the trace of a virus’s power,
wonderful and fearfully made?
I dissolve my grief
on the tip of your tongue
before I fly
like a bright, shining arrow
through the empty aisles
of this new wilderness
thinking of the centuries
my people walked
through the stony fields
of their inheritance,
scattering
mustard seeds upon the earth.
I profess, I never truly believed
in the invisible, and the unseen—
the hand of God
working in and through me,
until this moment when
touching nothing but what I will take,
I am both humbled and exalted
in the waters
of skin and sweat and holy breath,
a rebaptized vector of life and death.
Day Fourteen
And the quarantine begins
as the earth softens
and the worms forget their slumber,
as the crows gregariously gather
and the terns wheel above the pond
as the oak leaves turn to tissue,
and the winds choral their last song,
And the blackbirds return
as Orion sails toward the west,
and the willow whips turn golden,
as the carpet of clover unfolds
and the creek runs to catch the sun,
as the dogwood blazes fiery red
and the quarantine, the quarantine begins.
Day Forty-One
At the market,
hundreds of unpurchased
Easter Lilies
herald the season
with rust brown trumpets
battered at the fringe,
while at the forest’s edge
a single crocus
has broken through the wormwood,
a silken purse
within the uncut leather
of fallen leaves.
I have hurried by both,
only later wondering
how many more
of these resurrections
are left for me;
and at last I’ve arrived
at a place of unknowing—
a wilderness of wasted abundance
and fragile singularity,
one that
I shall never leave alive.
Meg Muthupandiyan is a poet and educator within UWM’s College of General Studies. She is the founder of the Poetry in the Parks public humanities project.